The occurrence of the voice in electroacoustic music might entangle our perception to unscramble the meaning of the vocal utterances. Our ears are usually drawn to it, even particular areas in our brain are dedicated to processing the vocal sound. How can we approach and listen to vocalic sounds differently in compositional thinking, how can we transform the experience of the voice? The piece explores the relationship between our perceptual sensitivity and internalization of vocal utterances and sound forces/movements. It fluctuates between what is vocal and what is not–it weaves an ambivalent and intimate space of vocal and vocal-like sounds transforming into an abstraction. Invoking an eerie experience where our bodily responses to the sonic momentum are excited by the vocal forces.