I have interacted with RXK Nephew—the Rochester, NY rapper, philosopher, sometimes Hennessy demon, and Most Interesting Man Alive contender—several times in my life. One time, at a show I threw last year with my blog, he glugged a bottle of Henny backstage and convincingly demonstrated the martial arts skills that he administers on his opps. A couple weeks ago, before a Halloween-themed show at Baby’s All Right in Brooklyn, he was considerably more sober. But he spent the initial time we’d set aside for this interview berating my costume (I went as his alter ego, Slitherman) and proceeded to grab my interview mic to dunk on the costumes of onlooking fans. Later that night, Neph took the stage after sets by They Are Gutting a Body of Water, OLTH, and western Mass pop singer LUCY, and did what he does best: rap and dance and compel an audience to chant “RXK!” like their lives depended on it. It was great.
Given all the debauchery at hand, we never did end up doing our interview that night. So instead, Neph hit me on Zoom a few days later from a new “content house” he’d recently purchased in Atlanta. An old Gucci Mane beat played out of his laptop as he answered my questions. Behind him, spray-painted slogans covered the walls like graffiti. His mind, as almost always, was racing. He had just gotten out of a long recording session for a T-Pain-inspired, heavily Auto-Tuned album, produced entirely by his close collaborator Brainstorm. Besides that, he said he’s got at least four projects in the cut, including full-lengths with Harry Fraud and Working On Dying’s F1LTHY. But individual albums aren’t the point of RXK Nephew. His eight-minute YouTube loosies, demonic alter egos, puzzling Twitter presence, and unfiltered vlogs comprise an artistic endeavor far greater than the sum of its parts. He never stops going in, even when his inner demons are calling, even if he needs to drive across the country for a one-off show. This interview, in which he talks about giving water to trick-or-treaters, explains the rationale behind his ceaseless output, and named his new album on the spot, is part of his art as well.
The following interview has been condensed and edited for clarity.
How did you spend your Halloween?
I was in the house working. Me and Brainstorm finished up another album yesterday. I had a lot of shit going on.
What was that video you posted with the bowl of candy and the laser on that gun?
This is what was happening: I forgot it was Halloween because I’m working so hard and I got PTSD and be paranoid so the doorbell keep ringing, people keep knocking on the door, I don’t know who it is! I’m thinking it’s police, I think it’s karma. I thought karma was at my door. I thought karma tried to come get me. And then it’s the little kids! So I run into the cabinet and grab whatever I can, but make sure I got clothes and shit. Got ’em some Reese’s, Fruit Roll-Ups, some chips, some noodles, some tuna, real life shit though. Whatever you want. Water, soda, I give ’em everything in my cabinet. I love the kids.
You were giving the kids water for Halloween?
Man, I’ll give ’em anything out my cabinet. That’s the point. I didn’t prepare for this. I’m not gonna ignore ’em. If somebody knock on my door, I’m not ignoring you, but I got massive candy though bruh. I got massive candy and I gave it to ’em. I still got candy all on the floor in the bucket, bruh. I wasn’t playing with ’em but I was giving them options. If you like what you like, take what you like.
You were telling me about the Auto-Tune tape with Brainstorm. Do you have a name for it yet?
I’m about to think of it right now while we in this interview. Give me two seconds… [Neph pauses for a moment] Nephew Pendergrass.
I see what you mean by the T-Pain influence.
I ain’t gonna front, when I first heard T-Pain, he changed my whole life.
What was the first song you heard?
That “Oh, I can’t believe it!” Oh no, matter of fact, the first thing I heard was “Sprung.” “I’m sprung, how she got meeee.” I’m like, damnnn. I know he was adding shit to his shit, he couldn’t really sing like that. But he was wavin’ it though. It was some wavy shit for the bitches, for the hood n****s. Shit was wavy.
And he produced his own beats, too. People forget about that. He made a lot of his own beats.
And he let Future hold his Bugatti. He let Future hold his Bugatti for the video. They didn’t give him no credit.
Wait, what? [laughs] I don’t know what you’re talking about.
Bruh, I’m puttin’ on for T-Pain, bruh. T-Pain said that in that video where Future had his Bugatti, that wasn’t his Bugatti that was T-Pain Bugatti. T-Pain know where Auto-Tune came from, he said it came from the ground in the oil rigs in Dubai, and they send signals to the ground and they come back as a different voice. And that’s how Auto-Tune was created.